Road To Your Name - Season 7, Episode 6: A visit with Tom Wilson, Creative Artist
The Road to Your Name Podcast
This episode was recorded in March 2025. This episode may include offensive language.
Episode Notes: Tom Wilson - Creativity, Identity, and Reclaiming Mohawk Heritage
Episode Notes: Tom Wilson - Creativity, Identity, and Reclaiming Mohawk Heritage
Host: Lisa Van (Mohawk Nation, Wolf Clan)
Guest: Tom Wilson
Episode: Season 7
Produced by: Aboriginal Legal Services
Technical Assistance: Tru Seed Media
Guest: Tom Wilson
Episode: Season 7
Produced by: Aboriginal Legal Services
Technical Assistance: Tru Seed Media
Episode Overview
This episode features acclaimed creative artist Tom Wilson, who discusses his multifaceted artistic practice across painting, music composition, theatre, and writing. The conversation centers on how creativity has become his pathway to reclaiming his Mohawk identity and decolonizing himself from the impacts of colonialism and forced assimilation.
Key Themes
Identity and Reclamation
- Tom's identity was kept from him for 53 years; he was never told he was from the Mohawk nation
- His journey to reclaiming his identity is deeply intertwined with his creative practice
- He quotes director Shane Belcourt (Métis): "You're not putting on an Indian costume. You're taking off the costume that colonialism put on you."
- Tom emphasizes that reclaiming identity is about stripping away the bonds of colonialism rather than "putting on" culture
The Creative Process as Meditation and Healing
- Painting serves as Tom's meditation and grounding practice
- For someone with a "hyper brain," the detailed, meditative process of painting provides calm
- The creative process is deeply personal and not meant to be observed; its true power lies in the finished creation
- Through creativity, Tom has built opportunities and navigated life's challenges
- He has sustained himself emotionally and spiritually through writing, music, painting, and performance
The Role of Artists in Society
- Artists have a pure light of wanting to create something for the world that wasn't there yesterday
- Unlike governments, religions, and corporations that seek to control, artists contribute without seeking control
- Creative work has the power to inspire and translate across audiences
Tom Wilson's Background and Early Life
Childhood Separation and Adoption
- Tom's mother was a teen when she gave birth to him
- Born in 1959 at St. Joseph's Hospital in Hamilton, Ontario
- Separated from his mother immediately after birth; she was sedated and prevented from seeing her newborn
- Placed in foster care through Catholic Children's Aid, then adopted by Bunny and George Wilson
- His adoptive parents kept his Mohawk identity a secret throughout his childhood
- This was the condition of the adoption agreement; he was forbidden from knowing he was Indigenous
Family Reunion
- At age 12 (now 53 years later), his grandfather John Lazore came from Kahnawake, Quebec to claim him
- His great aunt and uncle, Bunny and George Wilson, became his caregivers and he describes them as his heroes
- Though his adoptive parents gave him "a fighting chance," they perpetuated colonial harm by hiding his identity
- Tom honours his adoptive family while acknowledging the complexity of their choices
Growing Up as an Only Child
- Felt like he was "dropped out of a spaceship in the wrong backyard"
- Found solace in time spent alone and in creative pursuits from an early age
- This early isolation contributed to his comfort with solitude and introspection
Tom Wilson's Creative Works
Beautiful Scars (Play)
- Theatrical production that premiered in Hamilton at Theatre Aquarius
- An art book was published accompanying the play
- The play tells Tom's personal story of identity recovery and reclamation
- Described as "a Hamilton story" but fundamentally "a Canadian story" and "an Indigenous story"
- Tom wrote it to invite people in, not to "beat people over the head"
- Scheduled to tour at the National Arts Center in Ottawa and beyond in 2026-2027
- Like The Lion King, it requires multiple viewings
Documentaries
- A documentary film was made about the creation of Beautiful Scars
- Directed by Shane Belcourt (Métis)
- The documentary process itself became a journey of cultural discovery for Tom
Film Soundtrack: First Land Back Movement Documentary
- Currently composing for a film (Ni-Naadamaadiz: Red Power Rising, 2025) by Tanya Talaga, directed by Shane Belcourt
- Focuses on the First Land Back Movement in Kenora, Ontario
- This was one of the first times Indigenous Peoples stood up for themselves in a modern, organized way
- Features historical resistance that is often omitted from Canadian history books
- Tom's music for the film is the "music you never hear but would miss if it wasn't there"
- Music serves as invisible emotional infrastructure for film
Literature
- First book: Autobiographical, telling his own story (published)
- Second book: Currently being written for Random House
- Focuses on identity and his mother's story
- His mother's narrative deserves to be heard and recognized for its power to inspire
Painting
- Creates detailed paintings on his kitchen table
- Views painting as meditative, requiring nose-to-the-canvas focus
- Recent work continues despite challenging personal circumstances
- Uses painting to express Mohawk identity in its truest form
Music Composition
- Composes for film and other media
- Uses music as an emotional and spiritual tool
- Emphasizes the integral role of music in storytelling and human experience
Current Life and Challenges
Recent Personal Struggles
- The past 10 months have been "tumultuous"
- Mother passed away in November 2024
- Serves as primary caregiver to multiple family members
- Currently visiting aunt in the hospital
- Despite these challenges, continues creative work
Ongoing Connection to Roots
- Plans to visit Kahnawake (home community) when possible
- Hasn't been able to visit recently due to caregiving responsibilities
- Despite geographic distance, maintains spiritual and creative connection to Mohawk identity
Quotable Insights
On Feeling Mohawk:
"When I paint, I feel Mohawk."
"When I paint, I feel Mohawk."
On Colonial Impact:
"You're not putting on an Indian costume. You're taking off the costume that colonialism put on you when you were too young and unaware to know that you were wearing it."
"You're not putting on an Indian costume. You're taking off the costume that colonialism put on you when you were too young and unaware to know that you were wearing it."
On the Artist's Role:
"Artists have the pure light of just wanting to create something for the world that wasn't there yesterday."
"Artists have the pure light of just wanting to create something for the world that wasn't there yesterday."
On Perspective:
"Looking back in anger is one thing. Moving forward with positivity and love is a lot harder, and that's what we're doing here today."
"Looking back in anger is one thing. Moving forward with positivity and love is a lot harder, and that's what we're doing here today."
On Creative Process:
"The creative process is like watching somebody stand still. You don't see anything happening and at the end of the process, something beautiful is created, something that was not there yesterday."
"The creative process is like watching somebody stand still. You don't see anything happening and at the end of the process, something beautiful is created, something that was not there yesterday."
Resources & Links
- Aboriginal Legal Services: www.aboriginallegal.ca
- Podcast: Yoha:te ne kahsen:na: The Road to Your Name (Facebook: @RoadToYourName)
- Support: Donations available at Aboriginal Legal Services website
This episode is part of Season 7 of the Yoha:te ne kahsen:na Road To Your Name Podcast, produced by Aboriginal Legal Services with technical assistance from Tru Seed Media. All episodes focus on Haudenosaunee cultural topics recorded on Haudenosaunee territory.
Creators and Guests
Host
Lisa VanEvery
Lisa has worked for Aboriginal Legal Services for sixteen years. She began hosting the Road To Your Name Podcast in December 2020.
